George Fowler was born on the kitchen floor of a small ranch house in east Texas. In his younger and more formative years George frequented primeval wilderness areas around the world. This caused much of his notions concerning spirituality and awe to be closely associated with the natural world. George believes in the Constructivist notion that art should be based on spiritual expression. A practical background in mechanical engineering can be seen in much of his work. George frequently visits the theme of mechanical elements made beautiful. This is his first solo show and his third year as a professional artist. George has been seen earlier throughout the year at Kettle Art, Space Studio, Studio Fling, Town Square and with the Dallas Nomads.
Two main themes in my work are the synchronicity of disparate elements as well as the contrast of beauty and relative permanence metal affords the sculptor. The piece “Blood in the Resin” incorporates both of these principals. Several layers of metal wire interlace to create the form of a beautiful but intense female representation. Any one of the layers alone would be random abstraction. Seen as a unit, they transcend their humble origins for a loftier goal. The final layer of acrylic resin resounds the negative space and breathes life into cold metal. The metal and thus stable nature of the piece stands in stark contrast to the fleeting illusory beauty of the young woman. In this way the alchemical transformation of base metals into illustrative gold is achieved.
We’re having a party to celebrate George’s amazing work and his first solo show. Come out and see Hal, Cash, and George, December 19; 6 pm until 10 pm. 
